01 Classic Works of Art, Marine Paintings - With Footnotes, #71

Zena Holloway, United Kingdom
Sea Dance 1
Photography
23.2 H x 16.5 W x 0.1 in

Haenyeo (sea women) are female divers in the Korean province of Jeju. Known for their independent spirit, iron will and determination, the haenyeo are representative of the semi-matriarchal family structure of Jeju.

Jeju’s diving tradition dates back to 434 A.D. Originally, diving was an exclusively male profession, with the exception of women who worked alongside their husbands. The first mention of female divers in literature does not come until the 17th century when a monograph of Jeju geography describes them as jamnyeo (“diving women").

In the 17th century, a significant number of men died at sea due to war or deep-sea fishing accidents, meaning that diving became the work of women. Physiologically, women have more subcutaneous fat and a higher shivering threshold than men, making them more equipped to withstand cold waters. An 18th-century document records that taxes of dried abalone were imposed on ordinary people, forcing many women to dive in cold waters while pregnant.

As sea diving became a female-dominated industry, many of the haenyeo subsequently replaced their husbands as the primary laborer. This trend was especially prominent after the Japanese colonized Korea in 1910 and diving became much more lucrative. Up until this point, much of what the haenyeo harvested was given to the Choson government as tribute. When the Japanese took over, however, they abolished this tradition, allowing haenyeo to sell their catch at market and make a profit.[ Additionally, Japanese and Korean merchants hired haenyeo to work for them in Japan and on the Korean mainland as wage-laborers. More on the Haenyeo

Zena Holloway (born 1973 in Bahrain) is an underwater photographic artist living in London. Her work deviates from the stereotypical imagery associated with underwater photography. For Holloway the underwater landscape serves as a backdrop, using cinematic drama and painterly aesthetics, she directs her models along themes of universal human experiences: love, loss, intimacy and romance. Her recent work Flowers for Jeju : The Last Mermaids focuses on the historical and spiritual tradition of the Haenyeo of South Korea. Alongside her dedication to long-term personal projects, she is a regular contributor to editorial, for publications such as The Sunday Times Magazine, Paris Match and the FT. Her work is exhibited globally and she has been the recipient of many international photographic and film awards. More on Zena Holloway




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